Last Friday (March 7), I gave a lunchtime presentation on
writing about Toronto history at the Arts & Letters Club. The following is the
text of my talk:
Canadian Authors Dinner at the Arts & Letters Club, 1930s. Photo by George W. Latta. Toronto Public Library - see their website for a larger version. |
There was a point in my writing career where I fretted about
being called out by online commenters who harped on minor facts I overlooked in
an article, or nitpicked about obscure details. My girlfriend at the time, who
often proofread my work, asked who I was really writing for: the nitpickers,
who will complain regardless of what I write, or the wider audience, who is
more compelled by colourful stories and engaging storytelling? The answer was
the latter. She knew that while historical accuracy is important, so is finding
resonances with readers.
Which leads to one of my first questions when I start an
article: why am I telling this story? In my work, the news cycle often dictates
this: an anniversary, a festival, a death, a major project announcement, an idiotic
uttering from city hall. In other cases, I’ve stumbled upon an interesting tale
and hope others will be just as fascinated. There have been pieces I’ve researched
but abandoned because I couldn’t find any compelling reason to write about them,
or failed to find any interesting tidbits. Just ask the files for the Golden Lion department store which have sat on my computer for years.
A fraction (and I mean fraction) of my "Future Story Ideas" folder, which drew a stunned reaction. Hey editors, if any items you see here appeal to you for an article, drop me a line! |
Many good story ideas come by accident. There are days where
hunkering down at the microfilm reader yields nothing for the story I’m working
on, but provides seeds for half-a-dozen future pieces. It can be as simple as a
catchy headline, an editorial cartoon, or an unusual advertisement. I store
these finds in a “future story ideas” folder on my computer, which rescues me when
inspiration runs dry, or when the current news cycle suddenly makes these
stories relevant.
Here’s an example of a story I stumbled upon. I was flipping
through Toronto Life’s year-in –review roundup for 1985, and found a story
about a “patty war” in Kensington Market. Seems a keener government food
inspector tried to prevent several vendors from marketing Jamaican patties as
beef patties because they don’t fit the federal criteria for a pattie (aka a
hamburger). Crazy story, right? I investigated, and it turned into one of my favourite articles. It was the kind of absurd tale no comedy writer could invent,
eventually involving diplomatic staff, provincial politicians, and a “patty
mediator.”
Speaking of politics, it’s a godsend to historical writers.
Gaffes, disagreements, major development decisions—all of these are great
opportunities to provide historical context. Talk about tearing down the
Gardiner? Create a gallery post depicting the genesis and construction of ourbeloved elevated expressway. Potential battles over Porter Airlines’ expansion
demands? Discuss the evolution of the Island airport. Flip-flopping on how to
provide public transit in Scarborough? Review the history of the RT.
Early in the Ford administration, I was stunned by how many
local historical parallels I found for the latest round of Crazy Town (but not
so much post-crack video—folks, we’re in uncharted waters). Doug Ford wants a
monorail in the Port Lands? Write about councillors who tried to convince theTTC to build one along Bloor Street during the 1950s. Council rebels against
Mayor Ford? Write about times where other city councils tried to oust a mayor or vote against them en masse. Giorgio Mammoliti spouts off about opium dens? Cue a piece about a lengthy investigative series from a 1890s newspaper.
A sample screen capture used in the presentation. |
I feel the political stories help inform the public about
what has shaped our pressing issues, and why it feels like we tread the same
ground over and over and over and over…honestly, writing about Toronto’s
political history feels like a broken record at times. People making the same
mistakes over and over again to save a buck or their seat. I cry every time I
see proposed TTC expansions from the 1950s through 1970s and realize the
unbuilt lines on all of the maps are the same lines we’re still dithering over.
Heritage architecture is a prime source of material,
especially when it’s threatened or integrated into new developments—projects
like Mirvish+Gehry, the conversion of the Concourse Building into the Ernst and Young Tower, and the proposed Loblaws near Fort York. It also spurred regular
writing assignments for me, such as the Ghost City column I wrote for The Grid for a year. Digging beyond address and facades reveals so many hidden layers—like
the old cliché goes, if only buildings could talk…
All of these stories are tied together through the use of
historical context. I cannot emphasize how important it is for me to provide
readers with proper context. There is nothing I hate more than seeing historical
photos posted online with little-to-no background provided. Sure, they look
cool, and you can let your imagination run free as to what might be going on,
but a little more detail, a little more colour commentary would be appreciated.
Back in university, there were times I felt like a freak—more in my English
classes than History courses—compared to peers, and the occasional professor,
who believed in deconstructionist theories which separated works from their
context. Bull. Our actions, our thoughts, our environment shape our thoughts.
Actions don’t happen in a void.
When Kevin Plummer and I launched Torontoist’s Historicist
column in 2008, there weren’t a lot of regular history columns about Toronto
published online. Nowadays, there are all kinds of great resources and
storytellers out there, each with their own unique take on Toronto’s past.
(At this point, I showed images of other local historical websites, including The Toronto Dreams Project, Toronto in Time, and Historical Maps of Toronto.)
As all of us who chronicle our city’s past have learned,
anyone who thinks Toronto’s history is boring, and that nothing ever happened
here has barely scratched the surface.
One element helping the boom in local historical writing is the increased availability of research material online. There is no way I could crank out as much work as I do without resources like the digitized archives of the Star and the Globe and Mail available via the Toronto Public Library. These databases allow research to occur at any time, rather than an institution’s normal service hours. I wish Google News’s brief experiment in uploading historical newspapers had happened, given it was inching into Toronto-related material, and I would love it if a philanthropist would fund an effort to digitize the Telegram. The Toronto Public Library is rapidly improving its online historical resources, via improved scans of photos and ephemera, and PDFs of documents like 19th century city directories. The City of Toronto Archives does great work with the photos it has uploaded—it also has a great system for creating lists of material I want to view when I need to drop by for a visit.
Fort Malden, 1970s. Photo taken by my father. |
I suppose it was inevitable I’d end up writing about
history. I grew up surrounded by the past. My hometown, Amherstburg, played key
roles in the War of 1812 and the Underground Railway. To the north lies Detroit
and the legacies associated with the automobile age, racial tensions, and urban
decay. My father was a high school history teacher who collected a personal
library whose size was on par with a small Toronto Public Library branch. A
newsstand flowed into our home—up to five daily newspapers, tons of
magazines—which he clipped and filed for future research use by his students.
To store the material, he helped local supermarkets recycle their leftover
cardboard boxes after they were emptied of fruit and formula. I won’t mention
how many rooms of our high school his clipping collection filled over the
course of 30 years. I was the only person in my family who didn’t enter the
education field…yet in a way I did, teaching my readers the importance of
understanding Toronto’s present through its past.
I'd like to thank Lloyd Alter for inviting me to give this presentation, and Andrew Simpson for providing technical assistance.
I'd like to thank Lloyd Alter for inviting me to give this presentation, and Andrew Simpson for providing technical assistance.
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